Runtime
Hear how long a scene really plays. At about 155 words per minute you can time acts, cold opens and monologues against your target.
For screenwriters and playwrights
An AI table read gives you a first listen of your screenplay, pilot or stage play without gathering actors. A narrator reads the scene headings and action, each character gets a voice, and you hear where a joke lands, where a speech runs long and which lines no person would actually say.

Start with one scene to learn the format, then paste an act at a time. AI script reading works best in small, focused passes.
Paste the scene as written, with a blank line between elements: a cue such as MAYA, an optional (parenthetical), then the speech. The table below shows each element.
Lines such as “Act Two” or a Markdown heading like “## Scene 4” start a new chapter, so you get one track per act or scene.
Each character with a cue becomes a role. Audition voices, give the narrator a neutral read, and keep minor parts in the shared “Other voices” role.
Mark the lines that clunk, rewrite one in the studio and regenerate only that line to hear the fix before you change the draft.
Screenplay and stage play layouts are read as they are, so there is nothing to convert. Here is where each element of your script ends up.
| Script element | How to paste it | Who reads it |
|---|---|---|
| Scene heading | INT. KITCHEN. NIGHT. on its own line, as written | Narrator |
| Action | A plain paragraph, trimmed if you like | Narrator |
| Cue and dialogue | MAYA on its own line, the speech below it | Maya; the cue itself is not read |
| Parenthetical | (whispering) on its own line under the cue | The direction for Maya’s speech |
| Extension | THEO (V.O.) or MAYA (CONT’D) | The same role; the extension is dropped |
| Act or scene break | “Act Two” or “## Scene 4” on its own line | Starts a new chapter |
Stage play format works too, one speech per line: MAYA: We leave tonight. or MAYA (quietly): Not here. A character needs at least two lines to get a voice of their own, and any line can be moved to another role from its speaker menu.
Reading silently, your brain fills in the performance. Out loud, the page has to do the work.
Hear how long a scene really plays. At about 155 words per minute you can time acts, cold opens and monologues against your target.
Sentences that read fine but tie a tongue in knots stand out at once, especially long setups before a punchline.
If two characters sound interchangeable even with different voices, the difference is not on the page yet.
Information dumps feel twice as long when spoken. You hear exactly where attention drops.
Scene endings either land or trail off. A listen tells you which before an audience does.
Dense action paragraphs read aloud show where a reader of the script would start skimming.
Filter the library and audition voices for each role. A distinct voice per character makes it easier to judge whether the dialogue itself tells them apart.
81 voices
What it does well. It is ready whenever you are, at two in the morning or between drafts, and you can run it as often as you like. Hearing a scene five times while you rewrite it is a luxury no live table read can offer, because the actors go home.
What actors add. Performers bring interpretation, surprise and notes from the room. They find jokes you did not know were there. Use the AI pass to fix the problems you can hear yourself, so the live read is spent on the problems only people can find.
Directing the read. Parentheticals such as (dry) or (barely holding it together) become directions on their own, performed by the Standard, Lite and Expressive models. Add more in brackets, such as [over the noise], and inline tags like [laugh] or [sigh] add a beat inside a line. See AI voice emotion tags for the full list of cues.
Time and cost. A feature script of about 20,000 words, action included, runs a little over two hours aloud and uses roughly 1,000 credits on Standard or 700 on Lite. Check a scene in the words to minutes calculator first. Pasting and casting are free, and a Google sign-up comes with 100 gift credits (valid for 7 days, about 12 minutes on Standard; usage varies by text and voice tier) for a short sample.
Your pages stay private. Only the lines you generate in the AI audiobook generator are sent to the speech model, and scripts are never used to train AI models. Use your own scripts, or a writer’s script with their permission. Prose writers can do the same kind of pass with text to speech for writers.
Text PDFs open, but a PDF is reflowed into paragraphs, which can merge each cue into the lines around it. Export the script as plain text from your screenwriting app, or copy it from the page, and paste it instead. Cues, parentheticals and dialogue are then cast exactly as written.
By default the narrator reads scene headings, action and stage directions, while cues are never read aloud. For a dialogue-focused pass, delete or trim the action and headings before you paste, and the cast plays the scene as pure dialogue.
Leave them in. A parenthetical directly under the cue, or right after the name as in MAYA (whispering):, becomes the direction for that speech. Directions shape delivery on the Standard, Lite and Expressive models. The Premium model ignores them, so pick one of the others for a directed read.
Up to ten named characters per project, ranked by how many lines they have, plus the narrator. Characters with a single line share the “Other voices” role. For a big ensemble, split the script by act so each project voices the people who matter in it.
Yes. Download the AI table read as one MP3 per act or scene, or a ZIP of every track with a chapters index, and share it with whoever is giving notes. For a script you did not write, ask the writer before sharing any audio of it.

Paste a scene and try an AI table read free for a short sample, no card needed.